OpenWebRx and KiwiSDR added to Max/MSP control program

The Max remote receiver project described in an earlier post: https://reactivemusic.net/?p=20965 now includes support for OpenWebRx and KiwiSDR sites.

When using OpenWebRx, you need to select a “profile” that supports the receive frequency range, before you can operate within that frequency.  Its an unusual system that uses an offset frequency within the selected profile, instead of a global “actual frequency” like the other platforms.

The KiwiSDR sites, in general, have very good quality reception and audio.

The next step in this project will be to consolidate a directory of sites that are useful for remote reception in the ham bands for various parts of the world.

files

See above linked post

Videosync remix projects

New experiments using Videosync with Ableton Live.

A remix of “Gappa the Triphibian Monster”, 1967 directed by Haruyasu Noguchi. Produced using Ableton Live 12 and Videosync. Editing was done using LosslessCut for slicing and CapCut for editing. The underwater sequence uses the Ableton Audio Effects Rack: “Dawn Shimmers”.

Yet another remix of “Invasion of The Neptune Men” by Koji Ota. Produced with Videosync, Ableton Live, and Lossless Cut. The editing was done entirely in Live. Probably not a great way to do extensive video edits. And there was some trouble with Live 11, but the problems resolved by installing Live 12.

Another tribute to “The Invasion of The Neptune Men” by Koji Ota Produced with Videosync in Ableton Live. This was my first effort with Videosync. I tried to edit the video based on the sounds of the clips.

Capturing App/Screen video with Syphon and NDI

How to get video from applications, like a web browser, into Syphon.

This example shows how to get a Youtube video from Firefox into Max/MSP Vizzie.

  • Use NDI Scan Converter (From NDI Tools https://ndi.video/tools/ ) and select Firefox from the Capture menu
  • Use NDISyphon to convert the NDI stream to Syphon. Use virtual audio routing (eg., black hole) for system audio, or route audio directly into Max.

  • In Max, use the Syphon client from the package manager to receive video. Here is an example using Vizzie abstractions described in previous posts:

notes:

NDI scan converter allows screen capture from apps and broadcasts in NDI format over the LAN. Then NDISyphon app converts NDI stream into Syphon. For youtube, use theatre mode to fill the window – full screen doesn’t really work. see this link: https://support.telestream.net/s/article/Wirecast-Remote-Computer-Screen-Capture-with-NDI-macOS

Recording Ableton Videosync output

Video recording options for Videosync in Ableton Live

Syphon Recorder.

https://syphon.github.io/recorder

  1. In Videosync preferences, set master Syphon out.
  2. In syphonrecorder set Videosync master as input.
  3. In syphonrecorder set virtual audio as input (eg., blackhole 2ch)
  4. In Ableton, set blackhole 2ch as audio output (or make a multioutput device in audoMidiSetup, combining headphones and blackhole.)

Vizzie Recorder.

(see this post about Vizzie Syphon abstractions https://reactivemusic.net/wp-admin/post.php?post=20896&action=edit)

  1. setup a Syphon client in Max
  2. Use abstractions to bring video into Vizzie. and use Vizzie recorder object.
  3. Route audio as described above.

Screenflick (or other screen recording software)

  1. Set screenflick to overlay videosync output window in Ableton Live
  2. Route audio as described above.

Amateur radio contesting time-lapse map

Mapping geocoded  contest log data using node.js and openlayers.

The goal was to make something that looks like the Reverse Beacon Network map, only for contest log files. I use RBN for testing antennas now. That map display gives you a pretty good idea of your actual antenna pattern.

Code is written in node.js (javascript) and html.

Part 1: Read a Cabrillo log file containing QSO: records. Look up each callsign, get latitude and longitude, and rewrite the file as json data, tagged with geo coordinates. I originally tried getting the data from hamQTH but it was not current, so ended up using the qrz.com xml callsign lookup. For callsigns “not found” I used the qrz.com dxcc prefix lookup to get general coordinates for the country. There are still a few bad/missing data issues to resolve. Like European stations with coordinates at the South Pole.

Part 2: Tried various mapping frameworks – like leaflet, arcgis, and openlayers. Wanted to use a great-circle projection (azimuthal equidistant) like the big ARRL world map. And may still figure this out. But working with map projections and coordinate transforms is way worse than doing a Smith Chart.  I ended up hacking a flight tracking example from openlayers.org and basically replacing airplanes with QSO’s. That is why the lines are animated from source to destination.  Also added a layer for day/night, and QSO/time status display.

It probably makes sense to get rid of the flight animation and just display the entire path in sync with the QSO data – with color code for each band (K1KP) – and speed control on the time lapse, etc., So you can get a better sense of rate and propagation.

It would be cool to have a website where you could upload a log file and generate maps.

Note: this project is not yet available

Files

local files:

generating data:

internetsensors/cabrillomap

put the cabrillo data in testdata.cbr (use QSO: records only for now) should be sorted chronologically.

run:  node index.js

the output file will be: geocab.json (which is used as input to the mapping program)

mapping

internetsensors/oltest

main.js = node source with ol mapping and data processing

index.html = web page for map

geocab.json = geocoded cabrillo json test data

to run, type: npm start

Then open: http://localhost:5173/ in a browser

Additional work / current issues

Some of the qrz.com callsign data has bad geo coordinates. In particular some of the records show a latitude of -89 and longitute -179 – need to check for these numbers and replace with dxcc coordinates.

There should be an argument on the node program to pass in the datafile. Also the program should clean up any non QSO: records, like the file header info and any X-QSO recs.

Also need to clean up the async/await stuff – currently there are several methods for handling state transitions.

mapping ideas:

As mentioned above, its probably a good idea to make a version of the code without the flight animation, and have various controls to stop/start the data playback to look at individual qso’s do speed control, etc.,

azimuthal equidistant projection: there are some links to examples in leaflet, and arcgis to handle complex projections. In documents, look at:  “map links for projection stuff.txt”

leaflet test version:

in the internetsensors/cabrillomap folder there’s a test file: cbworld1.html that works using websockets when you run the index.js file to generate test data. It uses a leaflet map, but the lines don’t adapt to great circle polar paths.

arcgis

I believe the arcgis examples are in internetsensors/projected geometries

And: internetsensors/pe-gs-projection

The former is a a very nice world projection with some point markers. The latter is an example that shows how to switch out various projections in realtime.

11 Km feedback delay

Using 40 meter SSB, Max/MSP, and Websdr to build a feedback delay from Maine to the Netherlands.

A Max patch plays an audio file into the transmitter in Maine. Then, using a websdr receiver in the Netherlands, the received signal is amplified and mixed back into the audio to be retransmitted. Effectively creating a feedback delay line.

Here is an example of what it sounds like on 40 meters.

http://www.pr0jex.com/longdelayline.mp3

This is the Max patch

The audio from Websdr is routed to the input of Max by creating a multi-output device (In Audio Midi Setup) combining “Blackhole 2ch” and external headphone output (for monitoring). The audio output of Max is assigned to the transmitter SSB input.

Patch not yet available. Local version is in max teaching examples.

MBTA Boston train map

This post describes an update of a previous version. The old version can be found here: https://reactivemusic.net/?p=20329

Moving markers

In the previous version, all of the markers for each train line were deleted and redrawn in a group at the polling interval. In this version the train markers move to their new location when the data is polled.

The map is drawn using Leaflet. The moving marker library is from Ivan Sanchez https://www.npmjs.com/package/leaflet.marker.slideto

The project uses the MBTA JSON API, to query vehicle data for each train line. the geo coordinates of the trains are sent via websockets to the client map page.

This project is a work in progress and not available yet.

Files:

node server: internetsensors/mbtanode2/index.html

html map client: internetsensors/mbtanode2/mbtatrain2.html

Instructions

// to run, type node index.js at a command line.
// then open a web browser to: http://127.0.0.1:8124/
// type 'go' into the text box below the map, and press 'send' button
// in a few seconds the train markers will magically appear

MBTA API in Max

Sonification of Mass Ave buses, from Nubian to Harvard.

Updated for Max8 and Catalina

This patch requests data from MBTA API to get the current location of buses – using the Max js object. Latitude and Longitude data is mapped to oscillator pitch. Data is polled every 10 seconds, but it seems like the results might be more interesting to poll at a slower rate, because the updates don’t seem that frequent. And buses tend to stop a lot.

Original project link from 2014: https://reactivemusic.net/?p=17524

MBTA developer website: https://www.mbta.com/developers

This project uses version 3 of the API. There are quality issues with the realtime data. For example, there are bus stops not associated with the route. The direction_id and stop_sequence data from the buses is often wrong. Also, buses that are not in service are not removed from the vehicle list or indicated as such.

The patch uses a [multislider] object to graph the position of the buses along the route – but due to the data problems described above, the positions don’t always reflect the current latitude/longitude coordinates or the bus stop name.

download

https://github.com/tkzic/internet-sensors

folder: mbta

patches:

  • mbta.maxpat
  • mbta.js
  • poly-oscillator.maxpat
authentication

You will need  to replace the API key in the message object at the top of the patch with your own key. Or you can probably just remove it. The key distributed with the patch is fake. You can request your own developer API key from MBTA. It’s free.

instructions
  • Open mbta.maxpat
  • Open the Max console window so you can see what’s happening with the data
  • click on the yellow [getstops] message to get the current bus stop data
  • Toggle the metro (at the top of the patch) to start polling
  • Turn on the audio (click speaker icon) and turn up the gain

Note: there will be more buses running during rush hours in Boston.  Try experimenting with the polling rate and ramp length in the poly-oscillator patch. Also, you can experiment with the pitch range.

Soundcloud API in Max8

This post describes an updated project.

The earlier version can be found here  https://reactivemusic.net/?p=5413

This project is part of the internet-sensors project: https://reactivemusic.net/?p=5859

Note

2024/01/21: not working:

Soundcloud deleted my API credentials and is not accepting new requests. So there is really no point to using this project unless you have active credentials.

console.error() function crashes node. -fixed locally

Overview

In this patch, Max uses the Soundcloud API to search tracks and then select a result to download and play. It uses the node.js soundcloud-api-client https://github.com/iammordaty/soundcloud-api-client

For information on the soundcloud API http://developers.soundcloud.com/docs/api/reference

download

https://github.com/tkzic/internet-sensors

folder: soundcloud

files

main Max patch
  • sc.maxpat
node.js files
  • scnode.js

authorization

  • The Soundcloud client-id is embedded in scnode.js – you will need to edit this file to replace the worthless client-id with your own. To get a client ID you will first need a Soundcloud account. Then register an app at: http://soundcloud.com/you/apps

first time instructions

  • Open the Max patch: sc.maxpat
  • In the green panel, click on [script npm init]
  • In the green panel , click on [script install soundcloud-api-client]

instructions

  • Open the Max patch sc.maxpat
  • open the max.console window so you can see the API data
  • click [script start]
  • click the speaker icon to start audio
  • type something into the search box and press <enter> or click the button to the left to search for what is already in the box.
  • select a track from the result menu, wait for it to start playing

Spotify segment analysis player in Max

Echo Nest API audio analysis data is now provided by Spotify. This project is part of the internet-sensors project: https://reactivemusic.net/?p=5859

There is an older version here using the discontinued Echo Nest API: https://reactivemusic.net/?p=6296

Note:  Last tested 2024/01/21

The original analyzer document by Tristan Jehan can be found here (for the time being):  https://web.archive.org/web/20160528174915/http://developer.echonest.com/docs/v4/_static/AnalyzeDocumentation.pdf

This implementation uses node.js for Max instead of Ruby to access the API. You will need set up a developer account with Spotify and request API credentials. See below.

Other than that, the synthesis code in Max has not changed.  Some of the following background information and video is from the original version. ..

What if you used that data to reconstruct music by driving a sequencer in Max? The analysis is a series of time based quanta called segments. Each segment provides information about timing, timbre, and pitch – roughly corresponding to rhythm, harmony, and melody.

spotify-synth1.maxpat

download

https://github.com/tkzic/internet-sensors

folder: spotify2

files

main Max patch
  • spotify-synth1.maxpat
abstractions and other files
  • polyvoice-sine.maxpat
  • polyvoice2.maxpat
node.js code
  • spot1.js
node folders and infrastructure
  • /node_modules
  • package-lock.json
  • package.json
dependencies:
  • You will need to install node.js
  • the node package manager will do the rest – see below.

Note: Your best bet is to just download the repository, leave everything in place, and run it from the existing folder

authentication

You will need to sign up for a developer account at Spotify and get an API key. https://developer.spotify.com/documentation/general/guides/authorization-guide/

Edit spot1.js replacing the cliendID and clientSecret with your spotify credentials

node for max install instructions (first time only)

  •  Open the Max patch: spotify-synth1.maxpat
  •  Scroll the patch over to the far right side until you see this green panel:

  • Click the [script npm init] message – this initializes the node infrastructure in the current folder
  • Then click each of the 2 script npm install messages –  this installs the necessary libraries

Instructions

  •  Open the Max patch: spotify-synth1.maxpat
  •  Click the green [script start] message
  • Click the Speaker icon to start audio
  • Click the first dot in the preset object to set the mixer settings to something reasonable
  • open the Max Console window so you can see the Spotify API data
  • From the 2 menus at the top of the screen select an Artist and Title that match, for example: Albert Ayler and “Witches and Devils”
  • Click the [analyze] button – the console window should fill with interest data about your selection.
  • Click [play]
  • Note: if you hear a lot of clicks and pops, reduce the audio sample rate to 44.1 KHz.
Alternative search method:

Enter an Artist and Song title for analysis, in the text boxes. Then press the buttons for title and artist. Then press the /analyze button. If it works you will get prompts from the terminal window, the Max window, and you should see the time in seconds in upper right corner of the patch.

troubleshooting

If there are problems with the analysis, its most likely due to one of the following:

  • artist or title spelled incorrectly
  • song is not available
  • song is too long
  • API is busy
Mixer controls

The Mixer channels from Left to right are:

  • bass
  • synth (left)
  • synth (right)
  • random octave synth
  • timbre synth
  • master volume
  • gain trim
  • HPF cutoff frequency
You can also adjust the reverb decay time and the playback rate. Normal playback rate is 1.

programming notes

Best results happen with slow abstract material, like the Miles (Wayne Shorter) piece above. The bass is not really happening. Lines all sound pretty much the same. I’m thinking it might be possible to derive a bass line from the pitch data by doing a chordal analysis of the analysis.

Here are screenshots of the Max sub-patches (the main screen is in the video above)

Timbre (percussion synth) – plays filtered noise:

Random octave synth:

Here’s a Coltrane piece, using roughly the same configuration but with sine oscillators for everything:

There are issues with clicks on the envelopes and the patch is kind of a mess but it plays!

Several modules respond to the API data:

  • tone synthesiszer (pitch data)
  • harmonic (random octave) synthesizer (pitch data)
  • filtered noise (timbre data)
  • bass synthesizer (key and mode data)
  • envelope generator (loudness data)

Since the key/mode data is global for the track, bass notes are probable guesses. This method doesn’t work for material with strong root motion or a variety of harmonic content. It’s essentially the same approach I use when asked to play bass at an open mic night.

additional notes

Now that this project is running again. I plan to write additional synthesizers that follow more of the spirit of the data. For example, distinguishing strong pitches from noise.

Also would like to make use of  the [section] data as well as the rhythmic analysis. There is an amazing amount of potential here.